YOU VE OFFENDED MRS. SMITH

Similar documents
THE 4TH DIGIT By Gary Ray Stapp

Martin Nesbitt Tape 36. Q: You ve been NCNA s legislator of the year 3 times?

A CHANGE OF HEART. By Cody Moree. Performance Rights

Your Concerns. Communication Skills PART OF THE FIRST 33 HOURS PROGRAMME FOR NEW VOLUNTEERS AT CAMBRIDGE UNIVERSITY HOSPITAL.

Student Orientation: HIPAA Health Insurance Portability & Accountability Act

The 2016 Ben Vereen Student Health Initiative Wellness Through the Arts Essay Contest Rules, Entry and Release Form

BOOK THREE OF THE HYPNOTISTS SCHOLASTIC PRESS / NEW YORK

DESCRIPTION OF SITUATION AND ENVIRONMENT IN WHICH INTERACTION TOOK PLACE:

Asmall for-profit skilled nursing facility is located in a suburb of a major

Terms of Submission In order to participate, you must be at least eighteen (18) years old.

New Zealand Film Commission Feature Film Production Financing Guidelines for Applicants

Rosa Rosario Scenario. Quinton Quinoñes

Amy Eisenstein. By MPA, ACFRE. Introduction Are You Identifying Individual Prospects? Are You Growing Your List of Supporters?...

Checking Out the Competition, Part I: Why the Symphony Gets Bigger Gifts than Your Classical Public Radio Station

Remarks by the Honorable Ray Mabus Secretary of the Navy Naval STEM Forum Alexandria, VA Wednesday, June 15, 2011

Page 1. IIU Case No. INTERVIEW OF: Interview Conducted by: CAPTAIN URIE SERGEANT KOBASHIGAWA. July 11, 2017 ******* Official Transcript of Interview

Helping the Conversation to Flow. Communication Skills

Learn Connect Succeed. JCAHPO Regional Meetings 2015

BEACHBODY CHALLENGE COACH OPPORTUNITY PRESENTATION SCRIPT (For the Beachbody Challenge Coach Opportunity Presentation PowerPoint)

Strong Medicine Interview with Cheryl Webber, 20 June ILACQUA: This is Joan Ilacqua and today is June 20th, 2014.

Station Name: Mrs. Smith. Issue: Transitioning to comfort measures only (CMO)

N C MPASS. Clinical Self-Scheduling. Version 6.8

Your Health. Your Safety. Our Commitment. Individual Client Risk Assessment Toolkit for Health Care Settings

YES L OR NO X Reese Everett

Division of Assets and Medicaid Planning...

Grants for the Arts How to apply. 15,000 and under

The Complete Community Fundraising Handbook

ESL Health Unit Unit Two The Hospital. Lesson Three Taking Charge While You Are in the Hospital

red badge of courage Stephen Crane

Is Your Patient PHI Fully Protected?

Information for Staff. Guidelines for Communicating Bad News with Patients and their Families

NEW. youth. Entrepreneur. the KAUFFMAN. NYE Intermediate Part 1: Modules 1-6. Foundation

Educating nurses, midwives and nursing associates. How you can get involved

by Elizabeth Jaffe HOUGHTON MIFFLIN

ACCOUNTABILITY. Eileen Lavin Dohmann, MBA, BSN, RN, NEA-BC STRATEGIES FOR NURSES. Author of Accountability in Nursing

Understanding Health Care in America An introduction for immigrant patients

Edna Evergreen Scenario. Lila Moore

How long would you like your funding to last? [in months] You can use our funding over a period of up to 5 years.

Department of Defense INSTRUCTION

Employee Engagement Templates to Help Improve Your Employer Brand

Advance Care Planning Workbook Ontario Edition

AN EVERYDAY GUIDE TO THE RMA SERIES 5.1. Making a Submission about a Proposed Plan or Plan Change

Acknowledging Your Grant 1. Acknowledging Your Grant

RECRUITED HOW HIGH SCHOOL ATHLETES CAN EFFECTIVELY MARKET THEMSELVES TO COLLEGE BASEBALL AND SOFTBALL COACHES

Management of Assaultive Behavior Workplace Violence in the Hospital

HIPAA Training Handbook for Long-Term Care: Privacy for Frontline Staff

m/training-modules.html.

Improving Patient and Family Experience: New Ideas for Engaging Patients and Motivating Staff

It s a typical day in your hometown. Your alarm wakes you from a restful

[TRACK 4: SURVIVOR STORIES: YOUR CANCER CARE PLAN/SECOND OPINIONS]

What Is Ramadan? Ramadan is a very important time for Muslims. Ramadan is celebrated all over the world.

National Patient Experience Survey UL Hospitals, Nenagh.

5 TIPS FOR RESPONDING TO ANGRY PATIENTS

transitions in care what we heard

Dear Family Caregiver, Yes, you.

Understanding the Palliative Care Needs of Older Adults & Their Family Caregivers

Career Development Arts by Invitation Juried Program

Your life and your choices: plan ahead

Acknowledging Your Grant

WARNING: Up to 50% of the new patients calling your office may be lost due to the way your team handles that all-important initial phone call!

Large or small, every Crime Stoppers program across the country is highly encouraged to submit entries for the 2017 Crime Stoppers USA Awards.

NURSES ASSOCIATION OF NEW BRUNSWICK 2015

University College London Hospital

We are the regulator: Our job is to check whether hospitals, care homes and care services are meeting essential standards.

Participant Guide for

SECTION F: PREFERENCES FOR CUSTOMARY ROUTINE AND ACTIVITIES. F0300: Should Interview for Daily and Activity Preferences Be Conducted?

Request for Proposals Frequently Asked Questions RFP III: INCREASING FOUNDATION OPENNESS. March RFP FAQ v

NEW YORK Advance Directive Planning for Important Healthcare Decisions

Fundraising Toolkit. Before you start fundraising... Introduction. Consider the key elements for successful delivery of a fundraising event.

Talking to the Media. R. Sean Morrison, MD 9 th Annual Kathleen M. Foley Palliative Care Retreat and Research Symposium

How to apply for grants

Collegelevelsports.com

Teamwork. Program Prep. Your shortcut to compliant documentation. What is a team? Quiz answer key

1. Share your own personal story about someone you know, or someone you ve read about.

Top Essentials for a Winning #GivingTuesday

Take the Money Stuff Challenge!

We are the regulator: Our job is to check whether hospitals, care homes and care services are meeting essential standards.

Study Management PP STANDARD OPERATING PROCEDURE FOR Safeguarding Protected Health Information

Raising Concerns or Complaints about NHS services

The Leader in Guidance for the Health Information Management Profession. Patient Safety Monitor Journal

APPEARANCE Professional Appearance Facility and Environmental Appearance COMMUNICATION

Vancouver Film School BC High School Scholarship Competition Application Kit

cancer immunology project awards application guidelines

NEBRASKA Advance Directive Planning for Important Health Care Decisions

lassical onversations

NXP Foundation Women s STEM Student Achievement Award Guidelines. Awards Criteria and Terms and Conditions

A Nonprofit s Guide to Applying for Google Ad Grants

We had 7 folk on the phones (who took these calls on phones away from the public sales desk) and 3 with face to face customers.

SAW Video Production Fund Application Form

SUCCESSFUL ROUNDING IMPLEMENTATION

Kim Baker, Chief Executive Officer, Central LHIN

CAPT Sheila Patterson First Female Commanding Officer of NSWCDD,

Pentel of America, Ltd. is delighted to announce the 46th International Children s Art Exhibition (ICAE).

Funding guidelines. Supporting positive change in communities

CNICINST N9 29 Sept From: Commander, Navy Installations Command (CNIC)

acknowledgements This story book has been written by Dr Alka Aggarwal Singh with Astha Singh, illustrated by Anupama Singh and produced by Media

MARYLAND Advance Directive Planning for Important Healthcare Decisions

English Placement Test (EPT) Study Guide

Introduction to using IDEALS. Savvy Researcher

MEET THE AUTHOR THE DEADLY VIPER NURSE INTRODUCTION CONCLUSION THE SUPER NURSE ANTI-BULLYING GOODIES THE SORORITY NURSE FOLLOW ME!

Transcription:

YOU VE OFFENDED MRS. SMITH By Jerry Rabushka Copyright 2017 by Jerry Rabushka, All rights reserved. ISBN: 978-1-60003-935-5 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-english languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Brooklyn Publishers LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Brooklyn Publishers LLC. Questions concerning other rights should be addressed to Brooklyn Publishers LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Brooklyn Publishers LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. AUTHOR CREDIT: All groups or individuals receiving permission to produce this Work must give the author(s) credit in any and all advertisement and publicity relating to the production of this Work. The author s billing must appear directly below the title on a separate line where no other written matter appears. The name of the author(s) must be at least 50% as large as the title of the Work. No person or entity may receive larger or more prominent credit than that which is given to the author(s). PUBLISHER CREDIT: Whenever this Work is produced, all programs, advertisements, flyers or other printed material must include the following notice: Produced by special arrangement with Brooklyn Publishers LLC. COPYING: Any unauthorized copying of this Work or excerpts from this Work is strictly forbidden by law. No part of this Work may be reproduced, stored in a retrieval system, or transmitted in any form, by any means now known or yet to be invented, including photocopying or scanning, without prior permission from Brooklyn Publishers LLC. BROOKLYN PUBLISHERS LLC P.O. BOX 248 CEDAR RAPIDS, IOWA 52406 TOLL FREE (888) 473-8521 FAX (319) 368-8011

2 YOU VE OFFENDED MRS. SMITH YOU VE OFFENDED MRS. SMITH! A Ten Minute Comedy Skit By Jerry Rabushka SYNOPSIS: A high energy comedy trio! Teenage Melinda has done the unthinkable she s offended Mrs. Smith! The poor old uh elderly lady was eavesdropping on some gossip and she overheard the worst. Melinda s mother insists she apologize, but Melinda refuses, saying she simply told the truth: Mrs. Smith is a meddling eavesdropping busybody. Can Melinda and Mrs. Smith ever resolve this without anyone getting offended? You bet, and you ll never guess how! CAST OF CHARACTERS (3 females) MELINDA (f)... In high school. (41 lines) MOM (f)... Melinda s mom. (30 lines) MRS. SMITH (f)... Elderly and perpetually offended. (29 lines) SETTING: Melinda and Mom s home. AUTHOR NOTE Melinda appears in other pieces including the comic monologue The Politics of Prom. Melinda and her mother appear together in the comedy duet Creepy Girl on the Playground.

JERRY RABUSHKA 3 AT RISE: MRS. SMITH storms on stage, disgusted, yet enjoying every moment of it! MRS. SMITH: That Melinda Wyden! I ve never been so offended, so insulted by such a vile teenager. I m going to tell her mother and she ll put an end to it once and for all. (Practically rubbing her hands with glee.) We won t be seeing Melinda out of doors until she s 57 years old, after which all her prospects for marriage will have evaporated like a chemistry experiment left uncapped. MELINDA: (Enters, a lot more peacefully, addressing the audience.) Melinda here, and, today I want to talk to you about something you might have overhead me talking about last week. MELINDA walks around MRS. SMITH, who gives here the side eye and is still offended but doesn t interrupt. MELINDA: Eavesdropping. MRS. SMITH perks up to listen. MELINDA: Listening in when it doesn t matter. Butting in when it s not your business. (Indicated what s to come.) Or starting off a conversation that makes no sense. MOM: (Enters, angry and brusque.) Young lady! MELINDA: (Confused by MOM being so mad.) Mom? MOM: Mrs. Smith! MELINDA: (Still confused, but sassy.) No, my name s Melinda, and you should know that since you re the one who gave it to me. (To audience.) As you can imagine, that got me into even more trouble than I was in already. MOM: (As if this is the worst thing ever.) You ve offended Mrs. Smith! MELINDA: I haven t seen Mrs. Smith in a year and a half. MOM: Mrs. Smith told me she heard exactly what you said about her. MELINDA: How? She wasn t even there. MRS. SMITH: (Aside.) I heard it from a reliable source. MOM: Why were you even saying these things? What did you call her?

4 YOU VE OFFENDED MRS. SMITH They exchange looks, MELINDA wants to avoid answering but MOM glares her into an answer. MELINDA: A meddling eavesdropping busybody. MOM: Well, you ve succeeded in offending her. MELINDA: How did she find out? MOM: How do you think? MRS. SMITH: As I was trying to dissuade my third cousin from marrying a touring circus trapeze artist, I couldn t help but overhearing some young ladies discoursing on the nature of your conversation the week before. (Hurt and offended.) You referred to me as a meddling eavesdropping busybody. MELINDA: Were you offended because you think I was lying or because I was telling the truth? MOM: Melinda, you apologize to Mrs. Smith. MELINDA: For what? Having a conversation? At least I m thinking of her as a meddling eavesdropping busybody. MRS. SMITH corners MELINDA; refuses to let it drop. MRS. SMITH: That s not all. Was it? You called me a loathsome meddling eavesdropping busybody. MELINDA: I did not say loathsome. Though I m starting to wish I had. MOM: (Trying to reason her way through it.) I mean meddling, yes. MRS. SMITH agrees silently. MOM: Eavesdropping, definitely... MRS. SMITH agrees again MOM: but loathsome? MRS. SMITH is upset. MOM: Melinda, that s a judgement call that s not yours to make.

JERRY RABUSHKA 5 MELINDA: I never said loathsome. It must have got added in during the retelling. (Cheerful.) You should have been there the first time, Mrs. Smith. When it was fresh and new. MRS. SMITH: How is it you ladies have time to discuss poor old friendless Mrs. Smith? Don t you have homework to do? MELINDA: Not all day and all night, no. It s not that kind of school district. MRS. SMITH: I m waiting MELINDA: For what MRS. SMITH: For my apology. And as I m retired, I do have all day. MOM: Melinda apologize this very minute. MELINDA: (With a sigh of defeat.) All right. I m sorry I called you a meddling eavesdropping busybody. MRS. SMITH: What about loathsome? MELINDA: I never called you loathsome. (To audience.) Though that s the best yet. MOM: Apologize anyway. You started it, and loathsome got added into the game of telephone. It s your fault for placing the call. MELINDA: (To MRS. SMITH.) Maybe you should find out who did it and go to her mother and start this same brouhaha. MRS. SMITH: You can bet your sweet bananas and sour pickles I ll find out. MELINDA: Is this all you do all day? Walk about demanding apologies? Try being nice for once. MRS. SMITH: As I was in the library telling my cousin Avery that he needed to get a better job and to stop reading trashy NASCAR fiction, I couldn t help but overhear a lot of chatter MELINDA: Stop it! MRS. SMITH: Nobody tells me anything directly so I have to listen closely. MELINDA: Because you re a gossip as well. You spread gossip like fertilizer over a lawn, then sit back and watch it grow. I wish my life was half as interesting as you tell it, and I wish that you had more to do than to concern yourself with a teenager having a soda at the malt shoppe. MRS. SMITH: You should have been doing something constructive like walking the dog. MOM: We don t have a dog.

6 YOU VE OFFENDED MRS. SMITH MRS. SMITH: (To MOM.) Well who does? I m sure there s a dog she can walk. MELINDA: The Moritz s have a dog. And from what I hear, Cassie Moritz is the one who called you loathsome. (Explaining.) That s what Elsie said that Joanie said that Barney told Arlene. MOM: Are you spreading rumors? Thank you for reading this free excerpt from YOU VE OFFENDED MRS. SMITH! by Jerry Rabushka. For performance rights and/or a complete copy of the script, please contact us at: Brooklyn Publishers, LLC P.O. Box 248 Cedar Rapids, Iowa 52406 Toll Free: 1-888-473-8521 Fax (319) 368-8011 www.brookpub.com