I. COURSE INFORMATION

Similar documents
Telephone:

Getting Started in Planned Giving Charitable Gift Planning

D R A F T F U N D D E V E L O P M E N T P L A N S H A R O N C R I N O

Fordham University GRADUATE SCHOOL OF SOCIAL SERVICE SWGS 6416: Program and Proposal Development

Community Leadership Project Request for Proposals August 31, 2012

GRANT PROPOSAL GUIDELINES

About Social Venture Partners and Our Investment Process

Join Boston Arts Academy Foundation and help us change a young person s life today beginning with your own.

APPLICATION GUIDELINES AND INSTRUCTIONS

Request for Proposals: Development/Fundraising Consultant

Grant Writing Strategizing for Social Change NONPROF (KINES) 441 (Hybrid)

Course Syllabus. Proposal Writing and Program Evaluation UST 510

NU 300 Professional Transitions in Nursing Summer Session Hybrid Syllabus

Revenue Sources. Charitable Giving 8/29/12. Exploring the Revenue Path Less Traveled: Fund-Raising and Grants

PPA 520 / Group Activity Worksheets

How to Create a Major Gifts Program & Find Major Donors

cate+proctor FUNDRAISING

Highlights 2016 Gifts to Charitable Organizations

Grant Proposal Writing

FUNDING FOR NONPROFITS

The Importance of a Major Gifts Program and How to Build One

Outer Banks Forever. Position Director, Outer Banks Forever. Location Outer Banks, North Carolina

ADVANCEMENT PLAN January June 2017

Independent School Fundraising. By Patricia Voigt & Kelly Grattan, Senior Consultants, Schultz & Williams

Philanthropic Foundations

UNIVERSITY OF HAWAI I SYSTEM ANNUAL REPORT

OBTAINING STEM SUPPORT FROM PRIVATE FOUNDATIONS: A TEAM APPROACH

Community Grant Program Application Instructions

**Important** Due to recent software upgrades, applicants must create a grant portal user account to access the online grant portal.

The Nation s Leading Universities Online. Nonprofit Executive Certificate Programs Online

Securing the Gift (Module VI) Elizabeth s Notes 19% - 38 items on the test

How to apply for grants

Applying for a Research Grant

GRANT PROPOSAL GUIDELINES

Request for Proposals Announcement

How To Ensure Funding Success. Philanthropy Summit 2015: Understanding the 21st Century Donor Presented by Jo Garner, Strategic Grants

Fundraising 201 Wednesday, May 18,

Donor and Grantee Customer Satisfaction Survey Findings

Vice President of Institutional Advancement for the March 2016

Weathering the Storm: Challenges and Opportunities Facing Colorado Nonprofits During Recession 2009 Update

Royal Botanic Gardens, Kew Kew Foundation Trusts & Foundations Manager

Fostering a Culture of Philanthropy Head Administrator, Elisa Carlson Redmond, Oregon. Van Lunen Fellows Project Summary

INTRODUCTION TO GRANT WRITING. Presented by: Jessica F. Taylor, MPA, JD

To a Successful Planned Giving Program Thursday, May 22

Doctor of Nursing Practice (DNP) Project & Practicum Handbook

Request for Proposals SD EPSCoR Research Infrastructure Improvement Track-1 Award

REQUEST FOR PROPOSAL INFORMAL BID PROFESSIONAL ENERGY AUDIT SERVICES FOR THE HOUSING REHABILITATION PROGRAM

REQUEST FOR PROPOSALS PUBLIC SERVICES

Leaders to Serve the Nation

Presenter: Daniel Zanella. Senior Consultant. Saturday, January 9 9:00 am 10:15 am

Amy Eisenstein. By MPA, ACFRE. Introduction Are You Identifying Individual Prospects? Are You Growing Your List of Supporters?...

Tahoe Truckee Community Foundation (TTCF) President and CEO Position Description

LEADERSHIP ANNUAL GIVING: KEY COMPONENTS OF A SUCCESSFUL PROGRAM

Common Grant Application Format

Golden Valley Historical Society Request for Proposal (RFP) Museum Interpretive Exhibit Curatorial Work, Design, Fabrication, & Installation

Charitable Giving Grant Application 2014

Shared Intelligence for the Greater Good: Plan for

HI 380 HISTORY OF NONPROFITS, PHILANTHROPY, AND SOCIAL CHANGE

Department of Urban and Regional Planning University at Buffalo END 441 / URP 541: Nonprofit Management Fall 2017

COMMON GRANT APPLICATION GLOSSARY OF TERMS

Résumé Help. Preparing to Write Your Résumé. Creating Your Résumé

2017 COMMUNITY GRANTS PROGRAM

SWOT. SWOT for Fundraising. Internal. External. Strengths Weaknesses

REQUEST FOR PROPOSALS. Leadership Palm Beach County Class of 2019 Civic Engagement Projects. May 2018

Boise State University Foundational Studies Program Course Application Form

Getting your Organisation ready to win grants. Bianca Williams, Strategic Grants

Year 1 Fundraising Plan. October 2013

Community Capacity Building Program 2015 Request for Proposals

A Menu of FUNdraising Opportunities for Board Members

SOUTH SEATTLE COMMUNITY COLLEGE (Technical Education) COURSE OUTLINE Allen Stowers - Date: January 09

Strategic Plan

GRANT DEVELOPMENT HANDBOOK

First Fundraising Strategies for Startup Organizations

2017 Community Grants Program

REQUEST FOR PROPOSALS 2012 GRANT PROGRAM RELEASED AUGUST 1, 2011

2018 Safety Net Foundation Defined Grant Safety Net Webinar 1

Communities of Color Nonprofit Stabilization Fund Request for Applications Application deadline: October 5, 2018

ADVERTISING CAMPAIGN

Arizona Grantmakers Forum Arizona Common Grant Application

2/23/ which leads us to...working Smarter Not Harder!

A Handbook for Local Leagues Including Procedures and Forms. THE LEAGUE OF WOMEN VOTERS of Washington Education Fund. Revised January 2015

WORLDWIDE BUSINESS PLAN COMPETITION Official Rules and Guidelines

Online Giving Day Statistics

Creating Philanthropy Initiatives to Enhance Community Vitality

Guidelines for Grant Applications

Strategic Plan

Grant Writing and Sustainability

REQUEST FOR PROPOSAL EXECUTIVE AND OPERATIONAL CONSULTING SERVICES RFP (LAF EOCS ) Issued by: LAZIN ANIMAL FOUNDATION, INC.

NATIONAL CLUB ACHIEVEMENT COMPETITION CALL FOR ENTRIES

Strategic Plan... 1 The Destination Imagination Story... 1 Mission and Vision... 2 Our Goals... 3 Strategic Priorities... 3 Programmatic Values...

Museum Assessment Program. Grant Writing Guide

Community Issues Grants 2018 Request for Proposals

WHERE MEETS. Online Certificate in Jewish Philanthropy NEW PROFESSIONAL DEVELOPMENT IN THE ART AND SCIENCE OF FUNDRAISING

2018 Funding Application Guide

INTERNAL POLICY FOR STELLENBOSCH UNIVERSITY FUNDRAISING

AFP Montana Webinar Library Titles

VIBRANT. Strategic Plan Executive Summary

2012 Combined Charities Campaign October 1 October 31, 2012

2017 Fundraising Plan

Book Reviews Storytelling for Grantseekers: The Guide to Creative Nonprofit Fundraising

Transcription:

TUFTS UNIVERSITY ~ GRADUATE SCHOOL OF ARTS & SCIENCE DEPARTMENT OF URBAN AND ENVIRONMENTAL POLICY AND PLANNING 2015 PHILANTHROPY AND FUNDRAISING SYLLABUS Course #: UEP 0191B and Audit # UEP 191BU (1 Credit) Location: Olin Center, Room 102, 180 Packard Ave, Medford, MA Days/Times: Tuesdays/Thursdays, Second Session ~ 6:00 to 9:30 p.m. Lecturer: Patricia Bonner-DuVal, Principal, Bonner Enterprises E-Mail: Pat@Bonnerent.com Assistant: Deandra Robinson: Deandra@bonnerent.com Telephone: 617.232.5453 I. COURSE INFORMATION A. COURSE DESCRIPTION: This summer, students will have the opportunity to learn about the integral and critical role philanthropy and fundraising plays in sustaining and growing nonprofits, such as museums, institutions of higher education, environmental, health care and human services organizations. If you are planning a career as a leader in today s nonprofit sector, this course will provide you with a better understanding of philanthropy and the practical skills to navigate the increasingly complex world of fundraising. Through this course, you will explore emerging philanthropic and fundraising trends; use planning techniques to develop a real or imagined project and evaluate its potential effectiveness, learn about standard and innovative fundraising tools and strategies to address changing funding priorities and application processes. This practical course also provides opportunities to: learn the skills required to engage and obtain support from individual donors, foundations and corporations; learn the basic principles of planning sustainable and collaborative projects, develop a budget for your class project, meet with philanthropists and study the world of philanthropy s funding, decision making process. To be successful in this course students must be proficient in using the Internet, comfortable using MS Word, Excel and PowerPoint applications; knowledgeable about basic planning principals and are familiar with rudimentary budgeting concepts. Yes, this is a multi-disciplinary course, so if you do not know Excel, you must be willing to devote at least four hours to learn this skill. Two hours of coaching and instruction and two of self-directed practice is all that it takes. B. REQUIRED READINGS: The Foundation Center s Guide to Proposal Writing (fourth or later Edition) Jane Geever. This text may be purchased from the Bookstore or directly from The Foundation Center, 79 Fifth Avenue, New York, NY 10003-3076. Office Phone: 1.212.620.4230. Order Code: GPW4 Order Online: https://fdncenter.org/marketplace Order by Phone: Monday-Friday 9:00 a.m. to 5:00 p.m. Call 800.424.9836 Additional readings to inform our class discussions are listed on the following pages and available on http://trunk.tufts.edu or will be distributed in class. Please check Trunk for updates. C. ANTICIPATED OUTCOMES: This course is designed to assist students and nonprofit practitioners in developing a better understanding of, and strategies to engage the private philanthropic sector, including foundations, corporations, and individual donors. The course will provide an overview of the structure of organized philanthropy as well as an understanding of the process of non-profit fundraising and creating development strategies. We expect students to become proficient or to learn new skills, in the areas listed below: Understand the driving forces and trends in the world of Philanthropy and Fundraising today; Learn the fundamentals of the inclusive planning processes needed to be successful in these fields;

Philanthropy and Fundraising Syllabus UEP191B Page 2 of 8 Identify and research funding sources, prospective/current donor data, using current technologies; Interpret grant making guidelines to discern funders giving criteria and funding priorities; Become knowledgeable about the grant award process in varied philanthropic environments; Create relationships with philanthropists and grant makers that may lead to funding opportunities; Design fundable projects to initiate, sustain, or expand nonprofit services; Know the basic components of completing a funding proposals and steps to solicit individuals; and Understand how to apply proposal-writing skills to other fund raising methods and practices. II. COURSE CONTENT Please let the professor know if you are planning a career as a foundation or corporate program officer, as a slightly different roster of assignments are available to enhance your skills and theoretical understanding of these fields. WEEK 1- GETTING TO KNOW THE WORLD OF PHILANTHROPY! Tuesday 6.30.15 1. Introductions: Course overview and student expectations (please complete the survey), Discuss syllabus, assignments and speakers; please come prepared for a brief discussion on the service/program or capital project that you will use to develop a full-proposal, which is your final paper. If you do not have a real project for which funding is required please make one up or ask the instructor for a reference to a nonprofit willing to provide the information you will need to complete a proposal. 2. Class Discussion: The History of Philanthropy and its Implications ~ Why Donors Give! Readings: (a) Giving USA 2014 Executive Summary visit the link below for a free copy: https://nonprofitquarterly.org/philanthropy/22476-giving-usa-2013-giving-coming-back-slowly-and-different-afterrecession.html?gclid=cpok6mvykl8cfsxo7aodtq8aaq; (b) The 2012 Study of High Net Worth Philanthropy, Bank of America & Center on Philanthropy at Indiana University Pages 7-10 and Pages 37-46; (c) Class Materials on Trunk: Overview of Philanthropy and Fundraising Thursday 7.2.15 GUEST SPEAKER: Gracelaw Simmons, Associate, GMA Foundations will discuss the role GMA plays as Grant makers, Managers and Advisors in the philanthropic community & her role as a Board member of Royall House & Slave Quarters Museum. 1. The Philanthropic Environment and Funding Streams Funding Collaboratives and Affinity Groups Individual Donors Corporate and Foundation Grant Makers Donor Cultivation and Stewardship Activities Special Events How Philanthropic organizations manage their giving programs and priorities Readings: Foundation Growth and Giving Estimates 2011 Please download the file from the Foundation Center at the following address http://foundationcenter.org/gainknowledge/research/pdf/fgge11.pdf; and (b) 2011 Foundation Giving Highlights(Full version available on request) and (c) Key Facts on Family Foundations. Class Material: Overview of Philanthropy and Fundraising WEEK 2- CONNECTING WITH DONORS Tuesday 7.7.15 GUEST SPEAKER: Paul Goodnight ~ Artist/Teacher MFA ~ Color Circle Art 1. Planning & Developing Funding Strategies The Basics Before You Begin ~ Theory of Change, Strategies & Plans Class Discussion: Present your Elevator Speech Class Discussion: Select the funding models which most closely match the organization for which you are seeking funding. 2. Engaging the Philanthropic Community Reaching individuals connected to your NPO Creating opportunities to give Understanding the principals of Reciprocity, Responsibility, Reporting & Relationship nurturing

Philanthropy and Fundraising Syllabus UEP191B Page 3 of 8 Class discussion on the implications of Waters research findings & 2015 Abila Donor Engagement Study Readings: (a) 2015 Donor Engagement Study Aligning Nonprofit Strategy with Donor Preferences (b) 2009 Stanford Social Innovation Review Ten Nonprofit Funding Models (TRUNK); (b) Jane Geever, The Foundation Center s Guide to Proposal Writing, Chapters 1-3. (c) Read Pages 1-4 & 11 of applying relationship management theory to the fundraising process for individual donors, Richard D. Waters. http://www.prismjournal.org/fileadmin/praxis/files/journal_files/2010_general/waters.pdf. Thursday 7.9.15 1. Students will select a partner to complete an in-class exercise on donor cultivation/stewardship Students will complete a prospect worksheet on their partner Yes, you can be anyone you want to portray = 10 minutes ~ 5 minutes for each partner. Role-play ~ switching roles as Philanthropist and Fundraiser, students will seek their support for their projects. = 10 minutes Each student playing the role of donor, will present the request made by their partner, their response and why they responded in this way. Readings: (a) Please read Chapters 2, 5 & 7 of Building Donor Loyalty by Tony Poderis. http://www.raisefunds.com/2003/building-donor-loyalty-chapter-2/ (b) Donald E. Craig, The Tango of Solicitation, If you know the steps to dance to when asking for the big gift, prospects will follow your lead (article). WEEK 3- CONNECTING WITH POTENTIAL MAJOR DONORS Tuesday 7.14.15 GUEST SPEAKER: Michael De Lisi ~ Fundraising for Lafayette College, PA ~ Graduate, Philanthropy & Fundraising Class of 2012 1. Approaches to Individual Donors Major Gifts, Giving Circles, Legacy Gifts Point of Entry Programs (POE) Class Discussion on: Volunteer and staff roles in the cultivation, request and stewardship processes; plus the basic Moves or steps essential to cultivating and soliciting major donors. 2. The Important Role Individual Giving Plays in the Development Process New Developments in the Field of Annual Giving ~ What seems to work and why LOI s and their changing importance in Individual, Corporate and Foundation Philanthropy Readings: (a) Jane Geever, The Foundation Center s Guide to Proposal Writing, Chapter 13; (b)tom Ahern Excerpted from Seeing through a Donor's Eyes: How to Make a Persuasive Case for Everything from Your Annual Drive to Your Planned Giving Program to Your Capital Campaign; (c) Jane Geever, The Foundation Center s Guide to Proposal Writing, Chapters 1-3. APPROACHING FOUNDATION & CORPORATE DONORS Thursday 7.16.15 1. Components of a Winning Proposal Providing the information grant officers need to influence funding decisions on your nonprofit s behalf. NOTE: Please download from www.agmconnect.org the Associated Grant Makers Common Proposal Formats for the Cover Page, Concept Paper, Proposal Narrative, Diversity Form, and budget. Introductory Sections of a Proposal - The Cover Page Organizational Description - History The Organization s Programs, Strategic Goals, Objectives Demographic Information - The Diversity Form Project Description Class Exercise: Please come prepared to articulate ONE of your project s Goals and ONE Objective for which you are seeking funding! Reading: (a) Jane Geever, The Foundation Center s Guide to Proposal Writing, Chapters 4-7; (b) Guidance on Goals and Objectives Class Materials: The Nuts & Bolts of Grant Writing

Philanthropy and Fundraising Syllabus UEP191B Page 4 of 8 WEEK 4- FOUNDATION/CORPORATE DONORS CONTINUED Tuesday 7.21.15 NOTE: Please bring a pad or calculator to this class to complete the personnel/consultant budget. 1. Key Proposal Components... continued Need or Problem Statement ~ Finding current statistical information Specific Activities & Timetables Budget Class Exercise: Connecting your project objectives to the staff/consultants needed and other project expenses you will need to complete your project. Readings: (a) Jane Geever, The Foundation Center s Guide to Proposal Writing, Chapters 8 and 9; Class Materials: The Nuts & Bolts of Grant Writing and (b) Personnel/Consultant Budget Worksheet 2. Completing Your Proposal Evaluation Sustainability and Collaborators Required Attachments ~ Why funders request this information Other information frequently requested by funding sources Thursday 7.23.15 GUEST SPEAKER: Klare Shaw, Director of Programs at Liberty Mutual Foundation, Liberty Mutual Insurance. Klare has devoted her 25-year philanthropic career to improving access to education and art for Boston s youth. 1. Fundamentals of Corporate Giving: Corporate giving is increasingly conducted on-line Develop the Case for Support but this time, outline how the corporation benefits from a relationship with your nonprofit Relationships: Leveraging or creating relationship in the corporate giving world SWITCHING ROLES BECOMING A FUNDER 2. Philanthropy from a Funder s Perspective: Group Project Students will be divided into groups of 3 to 4 to form a foundation. Each group will select the name of their foundation and will represent a foundation s review team (a specific amount of funds available for distribution will be provided.) Groups will create their foundation s mission, at least three funding priorities and three to five project-funding criteria for the specific focus area assigned. Each student in the group will review a short proposal, and will summarize its strengths, weaknesses, and match with the funding criteria developed. Group Exercise: Develop criteria that you as a funder might use to review an organizations background, fiscal health, and the project for which funding is requested. Reading: Students will be provided with sample proposals, which will be used to make funding recommendations. WEEK 5 MAKING FUNDING DECISIONS Tuesday 7.28.15 Group Presentation: Each group will present their foundation s mission, funding priorities and the grant criteria sheet developed to review and rate proposals to the speaker. For the remainder of this class: Playing the role of a Foundation Program Officer, each student will develop recommendations explaining why he or she made decisions to fund or not to fund the proposal. Each individual will present their recommendations to the Foundation group and the group will agree on funding recommendations including amounts of the grants to be made. Thursday 7.30.15 GUEST BOARD MEMBER: Gracelaw Simmons, GMA Foundations, will serve as one of the Board members who will review your foundation s funding recommendations.

Philanthropy and Fundraising Syllabus UEP191B Page 5 of 8 1. Philanthropy from a Funder s Perspective: Group Project Each foundation group will present to the Trustees/Board, summarizing, their recommendations and answering questions. Group Exercise: Each Foundation will have 10 minutes to present their recommendations to the Board. The board member(s) present will make the final decision and explain why they do or do not support the decisions presented by the group. The Foundation trustee/board member will discuss the role of foundation trustees/boards and what they consider when making grant decisions WEEK 6-SPECIAL FRIEND AND FUNDRAISING EVENTS Tuesday 8.4.15 1. The Role of Special Events in Fund Development Group Project Students will be subdivided into groups to plan the outline of a Small event for 100-200 people; Midsize 300-500 people event or Large Public Gathering attracting more than 600 people. Planning/organizing events that promote your institution while raising unrestricted funds Integrating Events into your overall fund development portfolio, and Determining the best type of event for your institution Reading: (a) The Essential Steps for Launching a Successful Fundraising Event; (b) Download http://www.librarysupport.net/librarylovers/eventips.html Planning Special Events: Blueprint for Success by Debora Meskauskas 2. Fund Raising versus Friend Raising Events Thursday 8.6.15 FINAL PAPERS DUE Guided Discussions: Putting the Fun back into Fundraising, as a way to build relationships with prospects and donors or strengthen relationships between Foundation Trustees & Officers Using Events as a part of your Point of Entry Program for Major Donor Cultivation Events as Stewardship Opportunities B. COURSE FORMAT: This course includes lectures, guided discussions, group work, student presentations, demonstration and practice sessions, structured exercises, partnered role-play, a review of successful proposals, foundation guidelines and other emerging funding criteria. Other course expectations include: 1. Tolerance of Varied Learning Styles: The primary expectation is that you have signed up for this course to become knowledgeable about current trends in philanthropy and to acquire the skills to use this knowledge effectively. To achieve this goal: a) Please be patient with your classmates, b) all questions are welcomed and encouraged, as these will enhance your learning experience, and c) if you do not understand class materials, lectures, or discussions, it is imperative that you speak with the lecturers immediately to obtain clarity. 2. Class Participation: Twenty five percent of your grade will be based on class participation, which is defined here as being present and actively participating in class discussions. Five percent is based on reading assigned materials, as evidenced by your ability to discuss these materials in class and to engage guest speakers. If you are unable to attend class, please let us know during class break-time, or contact Deandra Robinson in Pat Bonner-DuVal s office, to let her know. Deandra may be reached at Deandra@Bonnerent.com or by phone at 617-232-5453. 3. Written Assignments: Assignments are an integral part of the learning experience that will enable you to navigate the world of philanthropy and fundraising, successfully. Written assignments account for 70% of your grade, as detailed below. If you do not clearly understand an assignment, please speak with the lecturers before the assignment is due. Late assignments will reduce your grade. If you submit fewer assignments than required, your grade will reflect the number of assignments submitted.

Philanthropy and Fundraising Syllabus UEP191B Page 6 of 8 III. WRITTEN ASSIGNMENTS The Ground Rules: Written assignments are due at the beginning of the classes noted below (and when requested may be e-mailed directly to the instructor). Thank you for completing and submitting assignments on time. To avoid losing 0.5% on each assignment submitted after the due date; please communicate with the instructor in advance. Assignments should not exceed the requested page limit and should be: Typed in any 12-point font, that is approximately the size of this text or larger. All margins should be one inch and all pages should be numbered. Text must be one-and-a-half spaced. Quotes, bullets, and lists may be single-spaced. Your name, the name of your instructor, and the date must appear on all papers. Cover sheets, footnotes, endnotes, and requested exhibits are not included in the page length limits. Please do not submit brochures, CDs, or other supporting materials that are not requested as a part of the papers assigned. IF YOU DO NOT HAVE A SPECIFIC PROJECT IN MIND FOR WHICH YOU ARE SEEKING FUNDING, PLEASE BE IMAGINATIVE AND CREATE A PROJECT AND ORGANIZATION. For an additional 3% points, you may undertake a project with a real community-based organization. To pursue this option, please speak with Professor Pat during the first week of class. Thank you! #1 DUE on July 2, 2015 Briefly Describe Your Project/ Elevator Speech: = 2% PRETEND YOU ARE IN AN ELEVATOR WITH AN IMPORTANT FUNDER. Use 250 characters to describe your project. Foundation staff and individual donors need to quickly understand your project and concisely describe your request to others. If you are requesting funding for operating support, briefly describe the organization's services supported. If you are seeking capital funds, describe the project s impact on the target populations served. Be prepared to read or present this description to the class. #2 DUE on July 9, 2015 Funding Plan and Strategies: = 5% Using the descriptions of the Nonprofit Funding Models, develop a one-page action table outlining the strategies you might pursue to raise funding for your project. Please use the Sample Planning Table provided. Regardless of the project you have chosen for this class, please include INDIVIDUAL approaches, as an integral part of your funding strategy. #3 DUE on July 14, 2015 Cultivating Individual Donors = 5% Using your discussion in class with your partner, write a letter seeking support from a past individual donor, which will not exceed 2 pages. Outlining ways in which you might engage them in this project. Include two or more of the following methods as a volunteer, donor, advisor and/or partner in fundraising, in this letter. This letter may also be formatted as an email. Also, prepare a one-page summary of the sequence of activities or MOVES you might take to cultivate and ask a prospect for a major gift. Attach the prospect worksheet completed during class. These are the only documents that you may choose to single space! In addition, please email ONE class project Goal and ONE Objective for which you are seeking funding. Please send this Email to Deandra@Bonnerent.com. # 4 DUE on July 16, 2015 Introducing Your Program or Project to a Funder: = 10% Write and submit an Executive Summary or Concept Paper for use with a foundation or corporate donor. Use the format provided in the Foundation Center s Guide to Proposal Writing. Please use

Philanthropy and Fundraising Syllabus UEP191B Page 7 of 8 topic headings to delineate each segment of your summary, which should not exceed three pages. Outline the strategies you will use to engage Board, staff and volunteers in the introduction, grant submittal, follow-up and acknowledgement process. This should not exceed one page. (Assume that you will shortly receive an invitation to submit a full proposal.) #5 DUE on July 23, 2015 Part I of Your Proposal = 10% Using the Associated Grant Makers Common Proposal Format for a Full Proposal, complete the Organizational Information narrative section, contained in questions 1 to 4. Please condense your responses to five-pages spaced at 1.5. It is not necessary to type your responses into the AGM guidelines, use the topic headings to present your information on a MS Word document. #6 DUE July 28, 2015 Submit Your Individual Funding Criteria =5% This assignment is both an in-class group and individual assignment. Using information gleaned from class discussions, readings and presentations from our guest speakers envision yourself as a philanthropist, and create a one-to-two page list of the attributes foundation staff, Trustees, or Board members might use to make funding decisions. Develop a criteria rubric for the topic headings provided in the Associated Grant Makers Common Proposal Format for a Full Proposal. Examples will be discussed during the class. # 7 DUE on July 30, 2015 Submit Summary of Recommendations for Funding = 13% Again, this is both a team and an individual assignment, the majority of which will be completed during class on 7/29/2014. After reviewing the proposal presented, create a summary of the proposal s strengths and weaknesses and work with group members to reach consensus on a funding recommendation. You will have the opportunity to present your recommendations to a Board of one or more funders and will submit this group assignment following your presentation. PLEASE PRINT AND BRING TWO COPIES OF THIS ASSIGNMENT WITH YOU to class on 7/30/2015! Thanks # 8 DUE on August 6, 2015 FINAL PAPERS = 20% Using the Associated Grant Makers Common Proposal Format for a Full Proposal, complete the Project Information narrative section, contained in questions 5 to 10. Please condense your responses to four-to six-pages spaced at 1.5. Not included in this six-page limit are: a) your budget, b) a budget narrative, and a one-page attachment list. Please note beside each attachment listed summary information explaining why funders request these attachments. IV. GUEST SPEAKERS I have invited professionals in the field to speak in class, as noted in the course content, on the dates they will present. I will remind you in advance, so that you can complete on-line research to learn about the organizations they represent. Guests may accompany the instructor or arrive close to the beginning of class. Being on time when meeting with a potential funder or development professional is critical to your success as a nonprofit leader. A list of confirmed speakers in included in this syllabus. V. GRADING Everything you do in this class counts - class participation, reactions and responses to readings, oral presentations in class, and written work. This grading practice reflects my teaching philosophy: I am working to create a learning experience for us all. Everything you do contributes to this learning experience and is valued. Every way that you do not contribute - by being unprepared, failing to submit papers when requested, being silent while others contribute to class discussions, falling asleep, or not attending class at all - diminishes the experience for all participants.

Philanthropy and Fundraising Syllabus UEP191B Page 8 of 8 Your grade will be weighted as follows: 25% class participation, 5% presentations, 70% written assignments and final paper. All requests for extensions must be made in person, or by email. Please note extensions are not available beyond the date when grades must be submitted, you will be graded on the assignments submitted. In evaluating papers, I will look for clear, well-written, and well-edited prose. Papers should be organized carefully with arguments that are clearly and succinctly framed. As some assignments cover sections of a full proposal, please use the topic headings provided in the guidelines, when completing grant writing proposal assignments. Please do not just launch into your paper as this leaves the reader hanging. Integrate readings, as well as other research when required, to support and illustrate your arguments. The assignments are deliberately short. Do not mistake that for quickly accomplished. In the philanthropic world, successful communications are brief, crisp, clear, and to the point. If English is your second language, please let me know, early in the class. If I find that you are weak on grammar, I will tell you and will expect improvement over the term. I may also suggest you contact the Academic Services Center. PLEASE NOTE THAT SHOULD THE NEED ARISE, I WILL ORGANIZE CONFERENCE CALLS FOR SMALL GROUP REVIEW OF CAPITAL CAMPAIGNS, BUDGETING, AND EVALUATION CONCEPTS. We will discuss the need for these services in class, at which time we will set dates in advance. If you need additional help, time outside of class is available. Please schedule these dates during class or call my assistants, Deandra at 617-232-5453, to schedule private time. --THE END--