OVERVIEW professional theatre projects The Blue Room Theatre holistically supportive from start to finish.

Similar documents
REGIONAL ARTS NSW REGIONAL ARTS FUND COMMUNITY GRANTS PROGRAM 2018 GUIDELINES

REGIONAL ARTS LEGACY GRANTS GUIDELINES

Nexus Arts Grant. Information Guide. For young people with disability

REGIONAL ARTS LEGACY GRANTS GUIDELINES

This fund is only open to applicants from regional and remote Western Australia for one-off grants.

REGIONAL ARTS FUND QUICK RESPONSE GRANT GUIDELINES

Community Grants Program Guidelines

SCREEN PRODUCTION INVESTMENT

Regional Arts Policy Framework

INDENT EVENT DEVELOPMENT GRANTS PROGRAM

Project & Development Grants Information for applicants

Guidance for applicants The below is a summary of key information. Please see section three for full eligibility criteria.

JUNE 2017 COMMUNITY DEVELOPMENT GRANTS PROGRAM COMMUNITY CHRISTMAS CAROLS GRANTS GUIDELINES

AUGUST 2016 V1 COMMUNITY DEVELOPMENT GRANTS PROGRAM SMALL AND MEDIUM CREATIVE HOBART GRANTS GUIDELINES AN INITIATIVE OF

AUGUST 2016 V1 COMMUNITY DEVELOPMENT GRANTS PROGRAM QUICK RESPONSE CREATIVE HOBART GRANTS GUIDELINES AN INITIATIVE OF

REGIONAL ARTS NSW - COUNTRY ARTS SUPPORT PROGAM 2017 GUIDELINES NSW POLICY DIRECTIONS, OBJECTIVES & PRIORITY AREAS

ARTS AND CULTURAL GRANTS PROGRAM /2018 GUIDELINES

Theatre Audience Development

Aboriginal Sport and Health Funding Program GUIDELINES AND CONDITIONS

Made in Scotland Funding Application Guidance

Grants & Programs. WA Activation of Open Space through Arts & Culture Seminar. 20 August 2015

LPA Submission to National Opera Review Discussion Paper

JUNE 2017 V1 COMMUNITY DEVELOPMENT GRANTS PROGRAM COMMUNITY CHRISTMAS ACTIVATION QUICK RESPONSE GRANTS GUIDELINES

GRANT WRITING GUIDE ADVOCACY CAPACITY BUILDING COMMUNICATION SUPPORT

WHAT IS THE SCREEN CULTURE FUNDING PROGRAM

Forced Adoption Support Service (FASS) Small Grants Fund

External evaluation of the CATSINaM Strategic Plan: Interim Evaluation Report

RYDON Aboriginal Cultural Awareness Arts Grant Application Form 2015

EVENT AND FESTIVAL SPONSORSHIP GUIDELINES RECREATION & SPORT GRANT GUIDELINES

PANNZ Arts Market 2019 Pitch Applications. Tour-Makers 2020 Expressions of Interest

CONTINUOUS CONTINUOUS CONTINUOUS Commissions

Development Coordinator Information Package. Contract position

Originally presented at the PAC Australia Performing Arts Exchange, August 2017

Building Digital Skills grants

ESCALATOR EAST TO EDINBURGH 2014

Brisbane International Film Festival Submission Guidelines

QCA Galleries Application Process

To apply go to apply.artsadmin.co.uk

DAREBIN ARTS TRIENNIAL EVENT PARTNERSHIP PROGRAM GUIDELINES 2018

SHOWCASE APPLICATION INSTRUCTION MANUAL

Seniors Week 2014 Community Grants Program

THEATRE SECTION Theatre: Multi-Year Grants to Professional Organizations

INVESTING IN THE ARTS

GRANT OFFERED BY THE JEUNES MÉCÈNES POUR LES ARTS. 4th edition 2016 CRITERIA AND CONDITIONS

THE FORD THEATRES 2019 Artists Partnership Program

Show me the money. arts funding workshop

RESEARCH FELLOWSHIPS GUIDE TO APPLICANTS/CONDITIONS OF AWARD Funding to commence in 2019

First Nations Artist in residency: 2016 Leigh Creek

Centre for Cultural Value

West Kimberley Community Grants Scheme

EVENT PARTNERSHIPS GUIDELINES...

We are seeking a creative and ambitious freelance Festival Producer or Production Company to deliver Margate Festival in 2016, now in its third year.

Farm Co-operatives and Collaboration Pilot Program Farmer Group Projects Funding Guidelines

Innovation Fund Small Grant Guidelines

COMMUNITY - QUICK RESPONSE GRANTS GUIDELINES...

Applying for a Grant 6. Regional Arts Fund Grant Programs 10. Other Arts Development Programs 14

Expectations for the Residency We would like to achieve a balance of benefits for the Resident, the public and Museum as far as possible.

Creative Strategies Incubator

ADVANCING BLACK ARTS IN PITTSBURGH

2019 Arts Projects Funding Guidelines

15 December The Hon Michael Sukkar MP Assistant Minister to the Treasurer C/- The Treasury Langton Crescent PARKES ACT 2600

APPLICATION PACKAGE Position: Creative Producer

ALLIANCE FOR SOCIAL DIALOGUE

Youth Health Service Elizabeth (working across North, South and western sites). OPS5. Ongoing full time

Media Resource Centre Guidelines Production Initiative Program (PIP)

Bradford Festival Open Call Out for Creative Commissions

AII IRELAND INSTITUTE OF HOSPICE & PALLIATIVE CARE / IRISH CANCER SOCIETY RESEARCH POSTDOCTORAL FELLOWSHIP Guidance Notes

To: The Mayor and Each Member of Limerick City and County Council. Report on Theatre Bursary and Short Film Bursary Proposals

Funding Options for PBCs

Applications must be received by 5pm, Wednesday 5 August, Ideally the position is expected to commence on Monday 17 August, 2015

CALL FOR PRESENTERS CONFERENCE DESCRIPTION

ANZ & SYDNEY MARDI GRAS COMMUNITY GRANTS APPLICATION FORM

Guidelines Embracing 2018 Queen s Baton Relay Community Celebrations Grants Program

Regional Events Fund Guidelines

MANHATTAN ARTS GRANTS CREATIVE ENGAGEMENT & CREATIVE LEARNING

Individual Application Form

Dance Project Award 2019

Latrobe Health Assembly Health Innovation Grants Program Guidelines

NATIONAL ARTS COUNCIL SEYCHELLES ARTS GRANT POLICY AND PROCEDURES MS JENIFER CUPIDON - DHRBM 1

Creative Scotland Regular Funding : The Network

SUBMISSIONS OPEN: 5am AEST on Thursday 17th May 2018 SUBMISSIONS CLOSE: 11.59pm AEST on Sunday 1st July 2018

Small Business Advisory Services program

Please refer to the section Funding Request for further details on calculating your funding request.

TASMANIAN HEALTH ASSISTANCE PACKAGE: BETTER ACCESS TO PALLIATIVE CARE IN TASMANIA PROGRAM INVITATION TO APPLY FOR FUNDING ITA No.

Seattle International Dance Festival - Beyond the Threshold Artist Application Guidelines 2018

Senate Legal and Constitutional Affairs Committee PO Box 6100 Parliament House Canberra ACT 2600

RESEARCH PROJECT GRANTS 2017

Events Tasmania Grants Program Guidelines. Marketing.

Strategic policy. Events Policy

Thank you for your interest in the above development opportunity at UK Young Artists

Guidelines for Peer Assessors

Arts & Culture. Live Arts Boston (LAB) Information Session

RESOLUTION NO

Research and development (R&D)

Community investment funding application pack

MUSIC BC TRAVEL GRANTS ARTIST GUIDELINES

UKRI Future Leaders Fellowships Frequently Asked Questions

Culture Grant Program 2018 APPLICATION GUIDELINES

COMMUNITY DEVELOPMENT AND SUPPORT EXPENDITURE SCHEME GUIDELINES

NALAC Diverse Arts Spaces Grant Guidelines Fiscal Year 2013

Transcription:

AN INITIATIVE OF THE BLUE ROOM THEATRE

OVERVIEW LOFT exists to support a range of professional theatre projects being developed and/or presented outside of The Blue Room Theatre s two performance spaces. Successful projects will be directly funded by The Blue Room Theatre and have access to producing, administrative, marketing and technical support where necessary. LOFT is a program that is holistically supportive from start to finish. Similarly to projects that we currently support in our seasons, the whole staff will be on board with your project to help with professional advice, resources and support. We want West Australian independent artists to be thinking of big, bold ideas and know that they have the support of The Blue Room Theatre team behind them so that they can leverage LOFT support with other funders, presenters and producers. LOFT exists to increase professional WA independent theatre activity in Perth theatre venues, around the state, nationally and internationally. LOFT includes funding and support for WA independent theatre artists/companies to make connections, partner and tour with local, interstate and international presenters. LOFT is primarily designed to support experienced creative teams who can demonstrate their project has an existing level of commitment from an established presentation platform or co-producer, or the potential for strong support. LOFT is able to support the development and presentation of theatre projects by independent theatre artists and companies and encourages independent applicants to partner with existing presenters and venues, companies and organisations. LOFT is an additional activity coordinated by The Blue Room Theatre. Necessary funds and operational costs have been granted by the Department of Culture and the Arts for a period of 2 years. A total of $300,000 will be granted over three funding rounds, to support a minimum of seven applications. 1

CLOSING DATES Applications Due Notification Date For projects starting after: Project to be completed by: 25 November 2015 21 December 2015 1 January 2016 31 December 2016 17 March 2016 29 April 2016 16 May 2016 30 June 2017 19 October 2016 9 December 2016 1 January 2017 31 December 2017 WHO CAN APPLY > West Australian independent theatre artists/companies and or arts workers > Small to medium funded Australian organisations supporting a West Australian independent theatre company/artist led project WHAT CAN BE APPLIED FOR LOFT can support the development and presentation of WA theatre* works in a number of ways including: > The creative development of new WA theatre work up to $30,000 > The redevelopment/remount and presentation of an existing WA theatre work up to $45,000 > The presentation of new WA theatre work up to $60,000 * Theatre works are defined as plays and scripted work, music theatre and cabaret, circus and physical theatre, installation theatre performance, puppetry and visual theatre, media-based theatre work, live art and contemporary interdisciplinary performance. PEER ASSESSMENT All applications are assessed by a rotating independent panel of up to four peer assessors chosen by The Blue Room Theatre s Executive Director and Producer. The names of peer assessors will be published with the announcement of successful applications. 2

Support for LOFT projects All successful LOFT project producers will meet with The Blue Room Theatre s Producer to coordinate a support plan for the period of their project. ADMINISTRATION + TICKETING > Use of our SABO ticketing system for events where appropriate subject to system ticketing fees > Access to pro formas such as co-op agreements, contracts and sample budgets > Access to office resources where necessary including photocopying, members computer and office space (as available) TECHNICAL + PRODUCTION > Access to The Blue Room Theatre s Venue and Operations Manager for advice and support to realise your technical ambitions (where appropriate) > Access to hire low-cost technical equipment (where available) > Relevant Blue Room Theatre staff members will be available to attend showings and provide feedback where appropriate MARKETING > Creation of a LOFT specific web presence including landing page, project pages and contact details integrated into the existing Blue Room Theatre site > Projects will have access to The Blue Room Theatre s extensive marketing lists including our audience, media and industry lists > Advice on all images, copy and media releases STRATEGY > The Blue Room Theatre staff will support projects to make strategic and relevant connections to interstate/international presenters, leveraging our established reputation as presenters of high-quality independent theatre. > The Blue Room Theatre will use its professional networks to encourage strategic industry members to attend showings > The Blue Room Theatre Executive Director and Producer will advocate for WA artists on a national and international level, consulting with industry peers on WA artists and their work. 3

THE ASSESSMENT PANEL WILL CONSIDER: ARTISTIC RATIONALE Peers will assess the artistic rationale attached to the project. They may consider: > The track record, creative achievement and skill of the artists involved > The quality and depth of the ideas original, contemporary, ambitious > Demonstration of artistic/career progression, creative innovation and professional ambition through collaborations and partnerships VIABILITY Peers will assess the viability of your project. They may consider: > Realistic and achievable planning, management and use of resources, creative process and feedback > Existing and potential resources being brought to the project, including presenting partners, other funding and in-kind contributions > Their confidence in the company to deliver the project as it is laid out in the application > A viable and value for money budget including an appropriate level of cash and/or in-kind contributions to the project > Presentation projects have an appropriate and experienced producer attached TIMELINESS AND RELEVANCE Peers will assess the timeliness and relevance of your proposed project (development, presentation or tour). They may consider if the project: > Speaks to its time and place and to a local contemporary audience? > Develops your artistic practice or new ways of making work? > Explores timely themes relevant to contemporary Australian culture? > Contributes to the diversity of contemporary artistic practice in Australia? AUDIENCES Peers will assess the contribution to audience development or diversity. They may consider how the proposed project: > Stimulates your audience to feel or think differently > Attracts new or diverse audiences > Provides audiences with new experiences > May increase audiences experience of artistic and cultural diversity including Aboriginal and Torres Strait Islander artists, arts and culture. 4

BUT WAIT, THERE S MORE 1. Can I apply to LOFT to support my Blue Room Theatre Development Season show? No. LOFT exists to support works being developed and presented in venues excluding The Blue Room Theatre. If your project is developed through LOFT, this will preclude your show from being eligible for a Blue Room Theatre season. This does not exclude a Summer Nights show that is site-specific or presented in an external venue. 2. Do I need to be a West Australian resident to apply for LOFT? Yes. LOFT is a fund that exists primarily to support West Australian independent theatre companies and artists. A minimum of 50% of your creative team should be West Australian residents. If you are an interstate-based organisation*, you can apply for LOFT on behalf of a WA independent artist or group. *Organisations: Organisations must either be registered under law (e.g. incorporated association, company limited by guarantee). 3. Can I apply to LOFT to support the presentation of my FRINGE WORLD show? Yes if it is at an external venue to The Blue Room Theatre. This can include performances as part of the Summer Nights program. When deciding what platform is best for your work consider that LOFT exists to primarily support work that is co-presented with presentation and producing partners and assessors will evaluate the context that the work will be presented in. 4. Can I receive the money through my individual ABN or do I need an incorporated body to administer the grant? Yes, you can receive funds through your ABN. You will however, be responsible for the legal payment of superannuation, maintaining insurances and PAYG tax responsibilities as per legislation. The grant may be auspiced by a relevant incorporated organisation or association. Your auspice organisation may request an administration fee from the LOFT program this must be included in your budget. You will need to include a signed letter from your auspice organisation as additional material in your application outlining their financial obligations to the project. 5

5. Does my project need to be presented or developed in WA? No. Projects are not required to be presented or developed in WA. 6. Am I required to pay creative teams equity rates and superannuation? The Blue Room Theatre encourages all creatives involved in a funded project to be paid equity or comparable rates of pay or to employ a standard equity approved co-op agreement and template of which can be viewed here. In addition, The Blue Room Theatre subscribes to a best practice model where all employees are paid superannuation regardless of the government-prescribed monthly threshold ($450 per month). Superannuation should be paid to your creative team at a rate of 9.5% or 10% for all cast members. 7. Can The Blue Room Theatre auspice my project? No, The Blue Room Theatre is unable to auspice LOFT projects. 8. Can I bring in theatre workers from outside of the State? Using Western Australian based theatre workers is desirable. LOFT aims to provide development opportunities for West Australian theatre workers and priority will be given to projects that demonstrate that commitment. A clear rationale should be provided if theatre workers from outside Western Australia are required. 9. Do I need to have a confirmed creative team before the application deadline? Yes, you will need to have a full professional creative team confirmed before applying to LOFT. 10. Do I need to include venue confirmations in my support material? Yes, if you are applying for presentation funds, you will need to show evidence of venue confirmations in your application support material. If you are applying for development, a venue confirmation is desirable and will strengthen the viability of your application. Where possible, co-presentation and in-kind support provided by the venue should be evidenced in the venue or presenter confirmations. 11. If I apply to LOFT am I eligible to apply for DCA project funds? Yes, you will be eligible to apply to DCA for additional funding for your LOFT project. For example, you might want to consider applying to LOFT for production funds, venue and staff costs and to DCA for artist fees. 12. Will site-specific works be considered for development and presentation? Yes. As long as your project fits all eligibility requirements, it may be indoors, outdoors, or even a little bit of both at a traditional theatre venue or anywhere else. 6

13. Will LOFT fund 100% of my project? No, LOFT will not fund 100% of your project. Consider local, state and national funding bodies, private sector, in-kind donations and co-presenter/partner support as possible sources of funds. 14. Can productions/creative developments included in a PICA season apply for LOFT? Yes, works chosen to be presented or developed in PICA Performance Space are eligible. 15. Is school touring eligible for LOFT? Yes, the presentation or development of a production for school touring is eligible for LOFT. 16. Can LOFT pay for a mentor as part of my project? Absolutely. While LOFT will not support training or educational pursuits, it fully supports career development and capacity building through initiatives like mentoring. 17. If unsuccessful, can I apply again with the same project? Yes. Be sure you take on board the feedback received from your unsuccessful application. 18. Will a major re-development of an existing work count as a creative development? Yes, but you will need to convince the panel of why your existing work should be redeveloped over the development of a new work. 7

APPLICATION PROCESS OCTOBER 2016 ROUND Applications and support material will be due by 5pm on Wednesday 19 October 2016. You can download the application form on our website here. Applications should be emailed to apply@blueroom.org.au. Please send all required application materials in a single email. Please do not email application materials directly to individual staff members. All applicants will be notified of the outcome by 25 November 2016 at the latest. All applicants may request feedback and are encouraged to do so. ACQUITTAL PROCESS Successful projects will be required to submit a project acquittal within eight weeks of the project end date. This will include an artistic report, final budget, project documentation and media summary. PROGRAM CONTACT If you would like to talk to someone about LOFT contact: Jenna Mathie - Producer Tel: (08) 9227 7005 Email: jenna@blueroom.org.au Website: www.blueroom.org.au/loft Please note, you are not required to meet with a Blue Room Theatre staff member prior to application. However, you are welcome to get in touch for advice and guidance prior to application. 8